Changbal
10Original drawings are preserved. Their embedded annotations may remain in Korean; the project narrative and figure captions are available in English. Expand “Reading this drawing” below a figure for translated main labels or a reading guide where available. Select an image to inspect it at full resolution.
A basement in Daegu reconfigured as a cafe, exhibition space, and creative studio. Studies of existing conditions, spatial planning, furniture and connection details, and site coordination shaped an environment where rough existing surfaces coexist with thin metal planes.
Space Shaped by Its Conditions
Changbal transforms a basement near Kyungpook National University in Daegu into a cafe, exhibition space, and creative studio. The absence of a visual connection to the outside and a limited budget became starting points for making the space function as an independent environment. Spatial divisions, furniture, lighting, and materials were considered together within the existing perimeter and structure.
The drawings and models below record the design, fabrication, and site coordination process. Sources are identified by the dates retained in the files; these studies are not as-built drawings in which every dimension, piece of equipment, and finish necessarily matches the completed work.
Arranging Activities, Adjusting Relationships
The cafe counter and communal table occupy the center, with exhibition and work areas alongside them. Beverage preparation routes, places to stay, and the independence of the studio were considered together. The spatial organization diagram separates surfaces and frames, furniture and lighting to show how each element contributes to the space as a whole.
Reading this drawing
Layout proposal: the counter, long shared table, seating and perimeter shelving are arranged within the existing basement.
Comparing Forms
An early rendering records a straight counter and an exposed ceiling. The July model studies the relationship between a counter with a curved end, a long communal table, and the surrounding seating. Placed side by side, the two sources show how movement and sightlines informed the spatial organization as well as the shapes of the furniture.
Walls That Separate Surface from Structure
Scaffold frames, panels, and a large swing door divide the areas, with the structures supporting the surfaces designed alongside them. The wall construction drawing indicates finishes set away from existing walls and service spaces behind them. Construction photographs reveal the backs of the panels, connecting members, and ceiling ducts. Assembly and building services behind the finished surfaces were treated as integral parts of the space.
Reading this drawing
Red lines mark the partition proposal. Notes call for extending the existing wall with reinforcement at the shelf, a 2300 × 2500 swing door with a square-tube frame and plywood faces, a scaffold-framed wall with 15T plywood, and a magnesium-board lining held away from the existing wall to form a services zone.
Details for a Floating Horizontal Plane
The communal table's lightness is not created by its long top alone. The fabrication study considers the overhead supports, wires, turnbuckles, and lighting connections as a single assembly. The horizontal plane and the slender vertical elements suspending it were adjusted together to give the impression that the table floats above the floor.
Reading this drawing
Shared-table study: the perspective and connection detail coordinate the thin horizontal surfaces with vertical supports.
A Counter Designed for Use and Fabrication
Ordering, beverage preparation, washing, refrigerated storage, and general storage are organized within a long work surface. Equipment, pipework, and access points were coordinated in plan, elevation, and section, while assembly drawings separate the frame, storage units, and countertop to examine their fabrication relationships. Photographs of the completed counter follow these drawings, allowing the design documentation and the working surfaces in use to be read together.
Reading this drawing
Counter coordination sheet: plan, elevations, section and material samples relate equipment to the work surface and cabinet construction.
Alignments Adjusted on Site
Site instructions record adjustments to align lighting height with the underside of beams and to accommodate the air conditioner location. The shelf detail coordinates concealed support angles, exposed pipework and outlets, and the height of the countertop. The continuity of horizontal lines took shape through these connections and coordination between trades.
Reading this drawing
The revision notes concern lighting height and the position of the air-conditioning unit, with lighting adjusted accordingly. Equal-spacing markers and a horizontal datum coordinate the suspended elements. Labels identify a glass door, the air-conditioning system and an M20 magnetic track.
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Wall-shelf detail: the elevations and small section coordinate the shelves with the wall and adjacent openings.
Existing Surfaces and Precise Finishes
The rough surfaces and exposed structure of the existing space are retained alongside refined metal surfaces and carefully resolved details. The floor finish plan distinguishes areas of intervention in the cafe and gallery from the studio, where the existing floor is retained. Rather than renewing every surface, the design makes the differences between materials more distinct. Thin, reflective metal helps reduce the visual weight of the basement space.
Reading this drawing
Floor-finish plan: hatch patterns and finish codes divide the main room, support area and entrance.
A Small Element Connecting Street and Basement
The entrance light was also studied in terms of its frame, wiring, and surface. Fabrication details are shown alongside the completed illuminated sign to demonstrate how the language of assembly and thin planes developed inside extends to the entrance.
Reading the Completed Space
Completed in October 2026, the space brings together the repeating horizontal lines of counters, tables, and shelves, slender supports, and the rough existing surfaces. Relationships between materials, forms, and activities are organized so that cafe, exhibition, and creative activities can coexist without fixed boundaries. Changbal aims to be an open space in which new experiences can emerge from those relationships.